Wednesday, September 24, 2008
Sketchbook Assignment 3, The Strip: "Glamour Shots"
A Sign of the Times
This very subdued shopping center is on Lakewood Avenue just past the intersection of Lakewood and Metropolitan Parkway. My guess on the style is some hybrid of modern/postmodern. Modern in the sense that the front is a ribbon of glass, sort of. Postmodern in material, stucco, and that interesting cover for the walkway and the colonnade supporting the extended roof cover for the walkway. The windows have been obscured by large poster-like coverings. The businesses here conform to the approach road in decline, start up businesses by a marginalized constituency. The parking lot lamps look pretty modern, but they are in disrepair, as evidenced by their leaning over. The parking lot itself is in state of disrepair. I guess the catch phrase for this neglect is “deferred maintenance”.
I included the previous photo to give context to this photo. This fantastic sculptural sign took me by surprise as I was scanning the (Metropolitan) strip for interesting photos. This behemoth straddles the corner of Lakewood and Metropolitan and alerts drivers-by to the location of the Family Dollar store (which I think might not even be there anymore). Unfortunately the sign is in a state of disrepair. I love the contrast between the overt sensationalism of the sign and subdued nature of the actual shopping center. I wonder if this sign can be saved? (I guess this photo refers less to Ford and more so to Venturi, but I felt compelled to include it.)
This strip is on Cleveland Avenue, an approach road from I-85 that intersects with Metropolitan Parkway. Really, I just had to include this because I was so amused by the proximity of Pleasers to the East Point police station. The presence of the Pleasers business and the Titlemax speak to the discard zone of transition that pervades most of the southwest side, particularly, but not limited to the approach roads to the city. The roof and “starved” classicism of the Titlemax suggests that the corporate architecture has been influenced by the “environmental” designs of the 70s/80s. Obviously the tastemakers are not concerned with the aesthetics of this area, which is a pastiche of signs, fast food joints and businesses most likely found in marginalized areas.
Tuesday, September 23, 2008
Recycling...
"... the architecture of the American Roadside ..."
In the first picture, this 1920s gas station evokes the domestic imagery that Liebs discusses. The blue, arched roof of the English Cottage style, with its white paint and double chimneys, is a representation of "the home" which held "deep-rooted symbolic value" for drivers and consumers (Liebs 101, 44); the garden plot in front is another vestige of the home image. This contrasts with the Regions Bank building to the left, with its reflective glass and square, modern architecture. The drive-up gas pumps under the 'carport' area would have been only steps from the Dixie Highway, and the two service bays to the right show that this was a busy service station. Now, the business which has adapted this location is Calhoun Auto Sales, and on the day this picture is taken, the employees are washing used cars.
The second picture shows a similar era gas station further north on Highway 41 which is in a less affluent neighborhood currently being reclaimed by Latino/a immigrants. This gas station has not been adapted or retooled. The basic elements of the first gas station are present--the drive-up gas pump area under the 'carport, the evocation of home with the pitched roof and red brick, and the chimney. However, this stretch of the 1920s-1970s strip in Calhoun does not receive much traffic as I-75 more quickly parallels 41. In the rearview mirror (lower right-hand corner of the picture), the Highway 41 strip stretches back toward the center of town.
Monday, September 22, 2008
More Parking!
This is a picture of Edgewood facing downtown. Here there are cars parallel parked on the curb in the right lane. I'd prefer to use that lane for driving, especially when it looks like a lane and not parking spots! But it occurs in a space where there is not an abundance of parking options, so I suppose it is necessary.
The second picture is of a vacant lot downtown used for parking. You can barely see the cars because the weeds are growing up the chain link fence. Perhaps we could call this "green space?" Downtown is full of ugly, vacant lots used for parking with people flagging you in and charging at least $5. Sometimes they are closed down businesses and probably serve the owners' need for income in the only way they have.
The third picture is of parking lines around Chastain Park. I noticed that there were lines blacked out and redone at a sharper angle. In Lots of Parking, the author has a diagram on increasing parking angles and how they increase the amount of cars able to park in the same space. It seems impossible to me, but I suppose he is right.